I’d always felt my nipples were neither here nor there so therefore pierce and tug yet never tugged into a zone erogenous, just zeitgeist—that modern primitive thing I’d read about. I was no primitive nor exactly modern: androgynous vintage, asexual barrette. My trailer cute if a bit off-pink. * I’d just turned 24, homo-neurotic St. Sebastian in hydraulic salon chair—tattoo parlor chatty—a swing-arm task lamp —tyranny of slotted forceps— the piercer and her surgical gloves. She says don’t move. She says she’s studying to be a nurse. (Each ring holds a captive bead.) I remember sulfur baths at a fancy spa. I’m 31, too uptight for massage though imagine me imagining the water pouring straight up from hell, acrid, tap into tub, a curative that I’m warned may tarnish jewelry —meaning don’t sink nipples deep. I remember marble and white-diamond tile and me of all people in my pierced nudity, my faint vitiligo. (They indicate through a t-shirt, each bead on its ring, yet never did I tell my mother or set off a metal detector.) Soberly now, mostly, a tender 44 —I remember being forced to strip. Cops around me like spinning tanks, their crosstalk decides me not eligible for the holding cell where no jewelry is allowed. They debate using bolt cutters. (Each ring begged tug but never did I know what it meant, as pierced as air.) I remember zooming in to find myself reflected in the bead of my friend’s nipple ring and titling the photo “Self-Portrait” until I retitle it “Untitled.” * Someday an autopsy may observe me closely enough, noting signs of former piercings—nipples— yet still I don’t care enough to regret the $50 per. Until the end my beginner gauge merely alluded to fetishwear anyway. What pleases me instead? The black buttons on my winter coat agree. It’s snowing.
A. Loudermilk's Strange Valentine won the Crab Orchard Series in Poetry First Book Award. His poems appear in publications like Cream City Review, Gargoyle, Smaritsh Pace, and Tin House, his essays in The Writer’s Chronicle, PopMatters, and the Journal of International Women’s Studies. He’s taught creative writing at Hampshire College and Maryland Institute College of Arts. He now lives in Champaign-Urbana, Illinois.