The knowing steals across his face gone slack, and like it’s not so blessed after all to be a man born to language. I have too many words for it. Tiny pebbles in my boots rubbing blisters, favoring one side then the other. And Lem has even worse overheard in Denver. In Akron. In church. I wait, eyes down, for him to fish a ragged term out and slap me with it. We’d be done for good. One breath. Two. Then all he says is Aw hell and pushes his small face into my neck like a horse. Everything he learned about bodies is from animals. Curry combs and diverticulitis and the hum you need to get a horse to step into a cold stream when she can’t see the bottom and might have to swim if it gets too deep to keep her footing. Tonight, I’m a stiff pond. Fresh- froze, terribly hushed. Lem’s weight flattens, rehearsing the warnings throughout his years. How many disappeared through a hole. Nothing is worth the risk of the first, weak freeze. My water waits to ambush him with a shock that knocks his lungs from Damn to plaint. he nudges further/listens for a crack’s tinkle I trace his hands through my ice ceiling Fingers splay/creases magnified/pads melting mirrored ovals budding fracture he ought to retreat/retract weight onto mud for him to live I ought to trust my crystal to hold/to hold him
Julian Mithra hovers between genders and genres, border-mongering and -mongreling. Winner of the 2023 Alcove Chapbook Prize, Promiscuous Ruin (WTAW, 2023) twists through labyrinthine deer stalks in the imperiled wilderness of inhibited desire. Unearthingly (KERNPUNKT) excavates forgotten spaces. Read recent work in Heavy Feather Review, warm milk, newsinnews.